Karen Fisher

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Where to Go. What to Take

Where to Go. What to Take

43×32in. acrylic and charcoal on collaged un-stretched canvas [2024]

Inspired by the anxiety I feel surrounding America’s contentious domestic political environment, climate catastrophes, and ongoing horrific images of conflicts happening around the world.

I want to somehow escape and finding a way to express that desire in my work is keeping me from actually packing up and taking off.

In this piece, the figure stacks moving boxes and is positioned between two spaces. The chair faces away and is a kind of barrier to the rest that the figure is seeking.

Between a Solstice and an Equinox

Between a Solstice and an Equinox

63×27in. acrylic, charcoal and marker on collaged un-stretched canvas [2024]

The title relates to the fact that I work out of my studios in CO and OH.

I began this piece in June in CO and finished it in early November in OH.

The inclusion of the Chickadee is one I traced from a chickadee that my dad drew and painted in 2016.

My dad was in the later stages of Alzheimer's and having him paint with me in my studio gave him moments of clarity and access to a wonderful visual language.

He referenced the pictures I took of birds-in-flight that came to my bird feeder.

In November in OH, the Chickadee’s are very active taking seeds from my feeder and flying off to stuff them into bark crevices.

Flummoxing Future

Flummoxing Future

December Sunlight: Nature Encroaching

December Sunlight: Nature Encroaching

Lesley University MFA Graduation Exhibition, June 2024, Cambridge, MA

Lesley University MFA Graduation Exhibition, June 2024, Cambridge, MA

Clark University MFA Graduate Fellow Art Talk: Wandering Canvases: Uncanny Explorations of Home

Clark University MFA Graduate Fellow Art Talk: Wandering Canvases: Uncanny Explorations of Home

Centered around collaged and painted un-stretched canvas that extends in irregular directions, my work expresses the complex search for home through the fluidity of memory, identity, and belonging.

The heavy emotional impact of witnessing my father in late-stage Alzheimer’s fuels my attempt to visually capture the uncanny nature of the phenomenon of wandering, and his incessant search for a place he once called home.

Because I live and work in two places, my work also challenges notions of stability and rootedness and evokes my feelings of in-betweenness, fragmentation and belonging. My search for belonging mirrors a journey without a destination. My home is a site of perpetual transformation and renegotiation and an ever-shifting landscape.

I use acrylic, oil, charcoal, oil pastels, found textiles and objects on collaged, un-stretched canvas to express what is uncanny about this search and offers a metaphor for the ephemeral nature of home.

Womb Chair: Suspended Five Zero Zero

Womb Chair: Suspended Five Zero Zero

56x34in acrylic, oil, found cut-up quilt on un-stretched linen [2024]

 

Do Not Go Gentle

Do Not Go Gentle

44x30in. found textiles, thread and acrylic on un-stretched canvas [ 2024]

Odysseus Crossing the Unknown Sea: Home to Penelope

Odysseus Crossing the Unknown Sea: Home to Penelope

83x39in. acrylic, found papers, found textiles on un-stretched canvas [2024]

 

Between Two Unknowns, I Live My Life

Between Two Unknowns, I Live My Life

41x33in. acrylic, found textiles, found papers collaged on un-stretched canvas [2024]

Push Pull Factor

Push Pull Factor

53×24in. acrylic and charcoal on collaged un-stretched canvas [2024]

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Where to Go. What to Take
Between a Solstice and an Equinox
Flummoxing Future
December Sunlight: Nature Encroaching
Lesley University MFA Graduation Exhibition, June 2024, Cambridge, MA
Clark University MFA Graduate Fellow Art Talk: Wandering Canvases: Uncanny Explorations of Home
Womb Chair: Suspended Five Zero Zero
Do Not Go Gentle
Odysseus Crossing the Unknown Sea: Home to Penelope
Between Two Unknowns, I Live My Life
Push Pull Factor

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